Keywords & Influences

  1. “The object world bowed and slept and grew enormous as something completely without space, as a container without volume, lightless, soundless, and did this inside a world even larger and more obscure than itself, a world we were walking through, which no one knew what to call (other than ‘old’) and no one understood the dimensions of but what was ours, this grid that had been touched by a circle, these noisy, impenetrable doors.” Renee Gladman, Ana Patova Crosses a Bridge, 2013
  2. Architectural: a barn loom is a building—literally salvaged barn timber—remade into a new container, a cubic machine for tension and creation
  3. Kelsey Lu at Enoura Observatory, Japan (26.05.2019)
  4. “the body is a text but not all text supports the body, so i think that’s the sacred work of poetry— to use text to create new bodies to read from.” jayy dodd, interview with Devin Kelly, 2017
  5. ceremonial garb for underground cryptids
  6. Musical: the tensioned parallel threads of the warp strum like a piano or a harp; the overhung lay or beater swings with its own weight like a metronome; you keep a rhythm and follow a melody
  7. “Might web-building best articulate (from concatenation to skeletalization) the act of extending bodily substance through sexual transition; that is to ask, does webbing, and the capacity to weave, describe how transsexuality is also an expression of the body (from sociopolitical to psychical to corporeal) as an address and as a habitat? Expressivity of transsexuality is not a trivialization of a difficult process; on the contrary, transition (or transposition) is an arrangement between the sensorial milieu of the self and the profusion of the world.” Eva Hayward, “Spiderwomen,” in ​Trap Door: Trans Cultural Production and the Politics of Visibilty​, edited by Tourmaline, Eric A. Stanley, and Johanna Burton, 2017
  8. making home in the ruins of an abandoned mining asteroid
  9. Octavia E. Butler, Parable of the Sower (1993) and Parable of the Talents (1998)
  10. Choreographic: adjusting angles of knees, tweaking trajectories of hands, shifting centers of gravity, repeating gestures until they're fine-tuned and muscle-memorized, melting into the repetitions
  11. weaving is how i tell others the things i don't know how to say
  12. “The way out, as Fanon has said, ‘Besides ontogeny, there is sociogeny.’ He is giving us a description of ourselves because then we can ask, ‘What is the mode of sociogeny in which we are?’ Do you see? Because we have been doing it. We have been putting it in place but we have been doing this nonconsciously, as a spider spins its elegant web. But the fact is that we have also been changing these conceptions (of the human). All the great movements of history have actually been changes and struggles against (the prevailing) conception.” Sylvia Wynter, “Race and Our Biocentric Belief System,” 2000
  13. Orders of Magnitude: a 2-year-old practice in a 50-year-old school in a 300-year-old tradition in a 50,000-year-old craft
  14. when everything beautiful is functional
  15. contact with alien forces but it's not ominous or sober; it's joking, cajoling, and teasing
  16. “... inviting us to think of the materialities with which one weaves the pattern and the new patterns that emerge out of that action; ones that cannot be predicted, but that should be forged, or better, be used to speculate with.” Tania Pérez-Bustos, Eliana Sánchez-Aldana, and Alexandra Chocontá-Piraquive, “Textile Material Metaphors to Describe Feminist Textile Activisms: From Threading Yarn, to Knitting, to Weaving Politics,” 2019
  17. Computational: the loom handles memory, logic, input and output, and programmatic rules, augmenting the weaver's brain, producing complexity
  18. textiles that transport you to another world the same way as the books in Myst
  19. “But secretly, while the grandmother
    busies herself about the stove,
    the little moons fall down like tears
    from between the pages of the almanac
    into the flower bed the child
    has carefully placed in the front of the house.” Elizabeth Bishop, “Sestina”
  20. sometimes the web feels impenetrable— wait for an opening
  21. “You know when you see a cool designer on IG and u click on link in bio but their website has no shop and instead is 5 paragraphs of thesis ‘this project was born from the need to explore humans in relation to—’
    That’s the kind of gorgeous dead end I aspire to be w my thirst traps” julio torres, may 2, 2020
  22. More...
ruins of Italian stone buildings just peeking out of the still surface of a lake